2023 . 9.30 水渠 9 小時
嘗試以我的文字收藏覆蓋家人 的雜物收藏。揀選、擺放、 包裹、塗填上文字、拍照記錄， 再重新調放物品位置，重覆。 最終形成一首詩，也落實了 詩的身體。
然後把物件清潔，還原歸位。
2023 . 9.30 at Nullah 9 Hours
Trying to cover my family's miscellaneous collection with my text collection. Selecting, arranging, wrapping, writing, taking photos, repositioning and repeating. Eventually a poem was formed, and the body of the poem was established.
Then clean the objects and put them back in place.
金色的包裝恍如佛像被塗上金顏料一樣。尊貴、莊嚴、讓人好奇卻又不敢揭開包裝底下的 平凡之物。包裝作為一種延後的揭露 *，填上文字後進一步暗示神秘的內容物。
* 閱讀更多: 羅蘭巴特，符號帝國，第十二章包裝
The gold-coloured packaging is as if the statue of Buddha has been coated with gold paint. Dignified, solemn, one is curious but afraid to reveal the ordinary things underneath. The packaging serves as a kind of delayed revelation*, filled with words that further hint at the mysterious contents.
* To find out more : Roland Barthes, Empire of Symbols, Chapter 12: Packages
圍繞著奇珍桌子的一番話：
正午的陽光夾雜雨，桌上的東西被收納起來，再排列整齊。
誰也不想停歇。石頭、芝麻糖、鹽，逼自己過一段安靜日子。
桌上的東西被照亮，矚目的有：灰色珍珠、碳塊、被禁止流通的皮毛，
把願搓成豆子狀。陰影之處，事物歇息。
音符，最陌生的東西。椰子成熟穿破頭臚，
可以稱之為偶發事件。
把拾來的排列，微微重疊，環繞奇珍桌子。
噗。
指甲不知不覺堅硬，
成為割開時代的利刃 ，好嗎
In the midday sunshine mixed with rain, the things on the table are collected and rearranged.
No one wants to stop. Stones, sesame sugar, salt, forcing myself to live a quiet life.
The objects on the table are illuminated: grey pearls, charcoal briquettes, furs that have been banned from circulation.
Roll your wishes into beans. In the shadows, things rest.
Notes, the strangest things. Coconuts mature and pierce through their heads.
One could call it a happening.
Arranging found objects, slightly overlapping, around a table of curiosities.
Pop.
Fingernails hardened.
Become the blade that cuts through the times, can we?